Guitar Gabriel at the Vancouver Folk Festival. Photo by Tim Duffy
I am sure many of you have heard the more recent recording of this tune on several of Guitar Gabriel’s albums and Music Maker compilations. While these versions have lyrical similarity, the guitar work that Gabe does on each version is completely different. Both unique in their own way the guitar riff and voice of Guitar Gabe on the older version of “Ain’t Gonna Let No Woman“, released in 1970 on the album My South, My Blues defines Guitar Gabriel as an incredibly unique artist. Have a listen to both versions and let us know what you think!
Capt. Luke & His Daughter Teresa Leaving the Rehab Clinic. Photo by Aaron Greenhood
Tim and Aaron have been running around all week, checking on the Captain and getting his new home ready for his arrival. We got word this week that Captain would be ready to return home from the rehabilitation clinic in Winston-Salem, NC, and Music Maker helped facilitate a new apartment for him that has amenities geared towards dealing with senior citizens. Captain Luke greatly enjoyed all your well-wishes and is happy to be in his new home!
Captain Luke in His New Home. Photo by Aaron Greenhood
Captain Luke checks out his new kitchen
Captain Luke and his daughter Teresa Mayer
Captain Luke getting comfortable in his new home
James Davis, Photo by Tim Duffy
Listen: Fred You Ought to be Dead
This track by James Davis is on our 20th Anniversary compilation, We Are the Music Makers!, as well as Davis’ album on the Music Maker label, Georgia Drumbeat. I was just discussing with our new board member Nick about how James Davis’ album, Georgia Drumbeat, would sound so great on vinyl. I have to take his word for it, because I don’t actually have a record player, but I do know I love this track from James Davis – not just for the title, which admittedly catches my attention – but for its driving rhythms and funky style. I’ll listen to James Davis however I can!
Photo by Tim Duffy
NOBODY PLAYS GUITAR LIKE ROBERT LEE COLEMAN. On this rippin’ track Coleman comes flying out the gate with his aggressive picking style. If you have never seen Robert Lee Coleman live you are certainly missing out because his stage performance is just as spectacular and wild as his playing. As a band member of both James Brown and Percy Sledge you can hear where Coleman’s funky sound was formed. While Coleman’s guitar playing is funky he still retains a lot of grit being Macon, GA.
Ironing Board Sam performing at JazzFest in 2012. Photo by Tom Ciaburri
When the Music Maker Relief Foundation first started working with Ironing Board Sam he was in a pretty rough spot. He was being evicted from his trailer, had no gigs and desperately needed help. After receiving a call from Living Blues photographer Gene Tomko, Tim leaped at the opportunity to help Sam. Tim had seen Sam many years ago in New Orleans and also in Asheville, NC and could never forget Sam’s unbelievable performances. (more…)
John Dee Holeman
John Dee Holeman is 87. He speaks softly. When he picks up his guitar, it’s a different story. John Dee’s brand of blues swings and shuffles to where you have no choice but to stamp your feet or jump up and dance. It’s that way by design. Before his legs retired from dancing, he was known far a wide for his deft buck dancing, a colloquial form of dance that’s the origin of tapping. John Dee has rhythm in every inch of his body. Check out this track from our Homecoming Revue Show.– Aaron
In the winter of 1995, I discovered how a simple gift can be the difference between life and death for our elderly artists. In that year, there was a terrible ice storm in Winston-Salem, NC and many parts of town were without electricity. The first day after the storm MM artist Willa Mae Buckner, who lived in an old drafty house, was struggling to keep herself and her two giant pythons alive with blankets. The news reported that there might be outages for some days yet, and I knew we had to do something for our artists.
I called my friend John Creech, an early supporter of Music Maker. Driving was very hazardous, so with John along one of us could push the car when we got stuck. We headed down to the hardware store and got Willa Mae and another artist, Mr. Q, kerosene heaters and 5 gallons of kerosene. When we arrived at Mr. Q’s after some difficulty navigating the icy roads, we found he had been trying to drag an old wood stove into the house, and was happy to see we had brought him a safe source of heat.Willa Mae was also happy to see us, though she was more concerned about keeping her pet snakes warm.
That night the temperature dropped severely and power was still not restored. The next afternoon while checking on Willa Mae, I noticed an ambulance parked in front of her neighbor’s house. Willa Mae was noticeably shaken, she told me the woman next door also had not heat and had frozen to death.
The realization that the simple gift of a heater and kerosene might have saved Willa Mae’s life gave me the inspiration to formally create Music Maker’s Sustenance Program, to help artists in need, who often have nowhere else to turn. This winter, we will help many artists purchase heating oil to keep them safe and warm. Help us do this, and make your year end gift today!
- Tim Duffy
Photo by Jimmy Williams
Hard Luck & Trouble exemplifies the blues with Marie Manning’s haunting vocal performance accompanied by the Bishop’s quintessential driving guitar licks. Marie Manning’s sporadically placed claps throughout the tune serve as the rhythmic foundation while she sings. The Bishop’s guitar playing comes straight from the South and represents his life as juke joint musician and moonshine salesman before from his previous life before joining the Church and exclusively playing Gospel music.
The next day was the big event, which included even more musical and life revelation for me than night before. Being able to mix and mingle with some of the most talented guys and gals who bring us the real, true Southern American Blues and to hear their music and first hand stories of how MMRF has helped them personally was absolutely life changing. Having my “We Are the Music Makers!” book signed by the artists who played that day was just the icing on the cake. They were so elated just to be asked to sign, and that’s when the best conversations were had. It was clear through every note played and every smile and story shared by every artist that weekend – Alabama Slim, Eddie Tigner, Pink & Big Ron, Robert Lee Coleman, Pat “Mother Blues” Cohen, Little Freddie King, Cool John Ferguson, John Dee Holeman, and the many more – that music is their life, and that their life is given to them through the support of MMRF. It really made me think about the things that are truly important in life. (more…)
Cootie Stark was a dear friend to Music Maker. A blind blues bard who spread joy and hope, and inspired everyone he met. Not one to stay home, Cootie would often call me from the Durham, NC Greyhound Bus station. Cootie would take the bus up to come visit me and my family at my home in rural Hillsborough, North Carolina. We had a guest house out back next to our studio and that is where Cootie would stay. One holiday season Cootie was with us on such a visit. With a few phone calls, Macavine Hayes, Whistlin’ Britches, John Dee Holeman, Cool John Ferguson and Captain Luke all were over with Cootie at my studio busily working on ringing in the Holidays. My brother Dan, my friends Donnie Saverese and Katie O’Brasky were there as well.
Maybe it was the captivating music; maybe it was the welcoming people; or maybe it was the place and the laid-back, everyone’s like family attitude that made me fall in the love with the Roots Blues and ‘soul of the American music’ that the Music Maker Relief Foundation represents. But honestly, I think it was a combination of it all.
The Music Maker Panel at the Carrboro ArtsCenter